After a period of exhibition silence, Andrea Barin returns to the gallery
with a new body of work that marks a shift from monochrome to color without, however,
rejecting his past work. This new direction merges with his previous work. The shift is not
merely formal but also conceptual, reflecting a renewed relationship with memory and
time.
These recent works focus on the representation of intimate and intimate spaces:
artist studio interiors, artworks, and everyday objects, places charged with visual and
emotional layers. In these spaces, he portrays works by historicized twentieth-century
masterspaintings, sculptures, and fragments, sometimes from his own collection. This is not
a simple visual cataloging exercise; what happens during the creation of the work is a
process of appropriation, in which painting becomes the tool for understanding, analyzing,
and ultimately "owning" these images.
This exhibition, therefore, marks a return that
is also a new beginning.